Reviewed by Marcus Knapman, BSc (Hons) Computing ·
Researched from 100+ Amazon customer reviews
· How we review
I'll be straight with you: I'm not usually one for sports romance novels. But when a book has spawned an Amazon Prime series and refuses to leave bestseller lists, I pay attention. The Score by Elle Kennedy follows hockey captain Dean Di Laurentis as he pursues theatre student Allie Hayes — a setup that sounds painfully predictable on paper. Yet after diving into reader feedback and examining what makes this Off-Campus series so popular, I found something more interesting than your typical jock-meets-nerd formula. At £5.99, it's priced like most digital romance novels, but the question is whether Kennedy delivers enough substance to justify the hype.
Kennedy takes the obvious sports hero trope and actually develops it properly. Dean isn't just a pretty face who happens to play hockey — his character arc involves real growth from entitled player to someone who recognises his flaws. The theatre angle with Allie provides genuine conflict rather than manufactured drama, and their banter feels natural rather than forced.
What strikes me from reader responses is how Kennedy handles the physical chemistry without making it the only driving force. Yes, there are steamy scenes (this is adult romance, after all), but they serve character development rather than existing purely for titillation.
Now that The Score has been adapted for Prime Video, there's extra scrutiny on the source material. Having examined both the book's structure and early series reviews, Kennedy's storytelling translates well to screen because she builds proper emotional stakes. The college setting feels authentic rather than like a 30-year-old's fantasy of university life.
The adaptation angle also means new readers are coming to this expecting prestige television quality. That's a tall order for any romance novel, but The Score handles the pressure better than most.
One criticism that crops up repeatedly in reader feedback is the predictability factor. If you've read any contemporary romance, you can probably guess the broad strokes of where this goes. Kennedy doesn't reinvent the wheel — she just makes it spin more smoothly than usual.
Allie Hayes could easily have been written as the standard 'quirky theatre girl', but Kennedy gives her genuine agency and realistic flaws. Her resistance to Dean's initial advances feels authentic rather than contrived, and when she does soften toward him, it's for believable reasons.
The supporting cast from the Off-Campus world adds depth without overwhelming the main story. These aren't just plot devices — they feel like actual friends and teammates who exist beyond serving Dean and Allie's romance.
Kennedy's prose is solid contemporary romance writing — clean, direct, and focused on character voice. She doesn't try to be literary, which works in the book's favour. The dialogue particularly shines during the verbal sparring matches between Dean and Allie.
However, the middle section drags slightly as Kennedy works through the inevitable misunderstanding phase that every romance requires. It's not poorly handled, but seasoned romance readers will recognise the machinery of the genre clicking into place.
At roughly 300 pages, The Score doesn't overstay its welcome. Kennedy knows when to end scenes and doesn't pad the word count with unnecessary subplots.
The Score succeeds because Kennedy treats her characters as people first and romance archetypes second. If you enjoy contemporary romance with sports elements, this delivers on its promises without insulting your intelligence. Skip it if you're looking for genre innovation, but it's a solid choice for fans wanting well-executed familiar territory.
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